Very occasionally I read something in my two VERY THICK anthologies (Norton Anthologies of English Literature), the only two texts I’ve kept from my college days. This evening I read a few poems by an author I admired while studying literature so many years ago: Gerard Manley Hopkins.
It seems Hopkins has a way of power-packing poetry with words that lead the reader down, down, down into haunts where there’s nothing left to do but EXPERIENCE those words. As a student, I was both frustrated and drawn for reasons that I couldn’t articulate. Just when I thought I couldn’t understand Hopkins’ writing, at the same time felt I understood it all too well. It was as if he drew me into a place of deeper consideration where I found what I’d not consciously known but recognized right away.
Tonight in an introductory section I was reminded he was influenced by a movement within the Church of England (the Oxford Movement) led by John Henry Newman, who also influenced many of his adherents to join the Roman Catholic Church. At some point, Hopkins became a devoted Jesuit priest, but he never lost his identity as a sensitive poet fascinated by language and rhythm, and the color, form and detail of nature. As a priest and later a professor, it was difficult for him at times to reconcile his vocation with his poetic genius.
In summary, Hopkins’ work is moody, profound, passionate. His word choices are sometime startling or dialectic, his rhythms distinctive. He combines colloquial and formal, simple and complex.
Here is the poem Hopkins considered his favorite, one I read several times tonight. In my opinion, it requires careful, slow, intentional reading (and re-reading) of every word, and pondering of the rhythms (as well as the words). I love the title and the last line.
I included a lexicon for those who might stumble on first reading.
Pied Beauty (1877)
Glory be to God for dappled things –
For skies of couple-colour as a brinded cow;
For rose-moles all in a stipple upon trouth that swim;
Fresh-firecoal chestnut-falls; finches’ wings;
Landscape plotted and pierced - fold, fallow, and plough;
And all trades, their gear and tackle and trim.
All things counter, original, spare, strange;
Whatever is fickle, freckled (who knows how?)
With swift, slow; sweet, sour; adazzle, dim;
He fathers-forth whose beauty is past change:
Praise Him.
Lexicon:
+ Pied – blotchy or dappled
+ Brinded - brindled or streaked
+ Stipple - dots or small spots
+ Chestnut-falls - chestnuts stripped of their husks after being roasted in “fresh-firecoal”
+ Pierced – divided into rectangles of different colors, as the English landscape appears
+ Fold – enclosure for animals
+ Fallow – a field plowed but left unsown for a season
+ Trim – equipment
+ Counter – contrary, in contrasted patterns or colors
+ Spare – rare